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jacobean

Not Shakespeare: Elizabethan and Jacobean Popular Theatre

The Duchess of Malfi: John Webster

In dramatizing a woman's sexual choices in a notably sympathetic manner, this tragedy articulates perennial questions about female autonomy and class distinction.
Not Shakespeare: Elizabethan and Jacobean Popular Theatre

The Roaring Girl: Thomas Middleton and Thomas Dekker

Based on a contemporary scandal of a woman who dressed in male clothing, this play of topsy-turvy genders has fun with some very modern ideas about sexuality, identity and whether we are what we wear.
Not Shakespeare: Elizabethan and Jacobean Popular Theatre

The Revenger's Tragedy: Thomas Middleton

A blackly camp tragedy - Hamlet without the narcissism - set in a court corrupted by lust and self-interest, this play is both fascinated and repelled by its own depravity.
Not Shakespeare: Elizabethan and Jacobean Popular Theatre

The Shoemaker's Holiday: Thomas Dekker

Like a Busby Berkeley depression-era musical, Dekker's comedy is a feel-good antidote to a context of shortages, political malaise and general pessimism, but real life in the shape of war, class antagonism and civic tensions, always threatens to intrude.
Not Shakespeare: Elizabethan and Jacobean Popular Theatre

Arden of Faversham: Anon

A true crime story of the murder of Thomas Arden by his wife and her lover, this play is concerned with the politics of the household, with gender roles within marriage, and presents a black comedy of botched murder attempts rather like The Ladykillers.
Not Shakespeare: Elizabethan and Jacobean Popular Theatre

The Spanish Tragedy: Thomas Kyd

Popular tragedy in which Hieronimo pursues aristocratic murderers of his son Horatio and takes revenge. It speaks, like Hollywood Westerns, to questions about private revenge versus public justice, and to the vexed religious questions of its age.

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