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artist

Journey of a Molecular Detective; David Sherratt
Captioned

We Rise (Together): Taking and Making Space for BIPOC Book Arts Creatives, Cultures, and Histories

Tia Blassingame introduced her work leading the Book/Print Artist/Scholar of Color Collective (aka Book/Print Collective) and shared methods for supporting and empowering BIPOC book and print artists
Symposium: Agrippa (a book of the dead)

Hybrid book tour of Agrippa

In this session, librarians and archivists from a wide range of international public institutions share their copies of Agrippa
Surgical Grand Rounds Lectures

Medicine and Art

Professor David Cranston takes us on a little trip through art and medicine using illustrations of works that portray the changing role of medicine in society.
TORCH | The Oxford Research Centre in the Humanities

Artist Talk: Made in Imagination

Find out how Anne Griffiths’ work, Lost in Imagination, reimagines intriguing objects lost within the Pitt Rivers archive.
History of Art: Undergraduate Course Lectures
Captioned

Core Course: Artists' Names

This lecture forms part of series entitled Introduction to the History of Art, a core course taught to the first year undergraduate History of Art students.
The Elements of Drawing

9. Creativity

Lesson 8. Invention!
The Elements of Drawing

8. Field Notes

Lesson 7. Strategies for collecting information and recording ideas as an aid to memory.
The Elements of Drawing

7. With Colour

Lesson 6. The most complex form of drawing. Starting with a pencil outline, the drawing is developed with a brush in clearly defined layers.
The Elements of Drawing

6. Measured Drawing

Lesson 5. Making a drawing that is dependent for its success on mathematical accuracy.
The Elements of Drawing

5. Making a Livelier Drawing

Lesson 4. Making a livelier drawing, where the line and tone have an energy because they have been applied at speed with a brush.
The Elements of Drawing

4. Toned Paper

Lesson 3. How toned paper can be used to provide the mid-tone in a drawing, which records where light and shade fall as a means of picturing an object.
The Elements of Drawing

3. The Edge of the Pencil

Lesson 2. We use tone, light, dark and the shades in-between to create illusions of volume and depth.
The Elements of Drawing

2. The Tip of the Pencil

Lesson 1. We use line to define spaces and things. It is not a question of magically getting the line right first time, but of first turning a contour into a line, and then systematically correcting that line until it looks right.
The Elements of Drawing

1. Introduction to the Elements of Drawing

Stephen Farthing R.A. presents eight practical drawing classes using John Ruskin's teaching collections to explain the basic principles of drawing.
Journey of a Molecular Detective; David Sherratt

Department of Politics and International Relations: Artist in Residence 2009-10

Lecture: Artist as Politician.

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