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drama

Approaching Shakespeare
Captioned

The Merry Wives of Windsor

Professor Emma Smith lectures on Shakespeare’s The Merry Wives of Windsor.
Approaching Shakespeare
Captioned

All's Well That Ends Well

Professor Emma Smith lectures on Shakespeare’s comedy All's Well That Ends Well.
Approaching Shakespeare
Captioned

Cymbeline

Professor Emma Smith continues her Approaching Shakespeare series with a lecture on one of Shakespeare’s later plays, Cymbeline.
Journey of a Molecular Detective; David Sherratt

Professing

Sir Tom Stoppard delivers the Cameron Mackintosh Inaugural lecture 2017
Opera Studies

Making a Contemporary Opera: in conversation with Michael Burden

In this episode Katie talks in depth about her experiences of creating new and contemporary opera.
Reimagining Ancient Greece and Rome: APGRD public lectures

Director Wayne Jordan discusses Oedipus (Abbey Theatre 2015)

The Abbey Theatre's artistic director Wayne Jordan talks to Professor Fiona Macintosh, about his acclaimed 2015 production of Sophocles' Oedipus.
Staging History, 1780 to 1840

Experiencing the late Georgian theatre

This episode explores what it was like to experience theatre in this era, including how theatres were laid out and designed, what it was like to be in the audience, and how plays were written, advertised and staged.
Shakespeare and the Brain

Extracts from Shakespeare, read by Roland Oliver (actor): Richard II Act V, Scene 5; Macbeth Act II, Scene 1; Henry IV Part 2, Act IV, Scene 3

Roland (an actor and alumnus of St Edmund Hall, University of Oxford) concludes the ‘Shakespeare and the Brain’ event by reading relevant extracts from three of Shakespeare’s plays.
Shakespeare and the Brain

The Hunter Heartbeat Method – Kelly Hunter (actor, director and educator)

Kelly gives an outline of some of her work using sensory drama games, using Shakespeare’s works, to interact and play with children with autism.
Shakespeare and the Brain

Shakespeare’s Memory – Professor Rodrigo Quian Quiroga (Director of the Centre for Systems Neuroscience, University of Leicester)

Rodrigo’s talk references the writing of Jorge Luis Borges, particularly his short stories 'Shakespeare’s Memory' and 'Funes the Memorious', which deal with memory.
Shakespeare and the Brain

Shakespeare as Observer and Psychologist – Professor Paul Matthews (Fellow by Special Election, St Edmund Hall, University of Oxford; Edmond and Lily Safra Chair and Head of Brain Sciences, Imperial College London)

Paul focuses on some of the questions that Shakespeare was asking about the mind, and how the same sorts of issues are approached now by neuroscientists.
Shakespeare and the Brain

Shakespeare, Mind and World – Dr Tom MacFaul (Lecturer in English, St Edmund Hall, University of Oxford)

Tom discusses how Shakespeare’s age thought about thinking. In particular, he looks at the transformative power of thought and the idea in some of Shakespeare’s works that the mind is free to create its own world.
Journey of a Molecular Detective; David Sherratt

Creation and Immigration

Claude-Michel Schönberg delivers his inaugural lecture as the Cameron Mackintosh Visiting Professor of Contemporary Theatre
Journey of a Molecular Detective; David Sherratt

Performing Shakespeare: then and now

Jonathan Lloyd and Tiffany Stern, discuss performing Shakespeare in the past and now
Les Liaisons dangereuses in 5x5

Les Liaisons dangereuses in 5x5 - From Page to Stage

A conversation about about stage and screen adaptations of Les Liaisons dangereuses
Reimagining Ancient Greece and Rome: APGRD public lectures

Director Jonathan Kent in conversation with Fiona Macintosh

Theatre director Jonathan Kent discusses his work with Greek tragedies, including Medea with Diana Rigg in 1992-1994; Hecuba with Clare Higgins in 2004; and Oedipus with Ralph Fiennes in 2008 at the National Theatre.
Reimagining Ancient Greece and Rome: APGRD public lectures

The Oresteia at the Globe Theatre (2015)

Director, Adele Thomas, and playwright / translator, Rory Mullarkey, talk about their production of Aeschylus' Oresteia at the Globe Theatre, London in 2015
Reimagining Ancient Greece and Rome: APGRD public lectures

E. M. Forster’s Tragic Interior

David Scourfield, of Maynooth University, discusses E. M. Forster's relationship with Greek tragedy in the APGRD's second, annual Classics and English Lecture
Medea, a performance history: APGRD eBooks

Medea, a performance history (ebook)

A free to download, interactive/multimedia ebook by the APGRD, on the production history of Euripides' tragedy Medea
Reimagining Ancient Greece and Rome: APGRD public lectures

Director Ian Rickson on Sophocles' Electra at the Old Vic (2014)

Director Ian Rickson talks about his 2014 production of Sophocles' Electra at the Old Vic, London, starring Kristin Scott Thomas as Electra

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